On March the 1st 2012, one of our Urban IMG members — Linsey, our street artists spokesperson — had the opportunity to interview one of the most prominent old school graffiti artists from the Netherlands, Tag N9ne about his career as an artist and his style.
Linsey: My first question for you today is: “Who is Tag N9ne?”
Tag N9ne: “My name is Tim de Groot and I am 46 years old, my stage name is Tag N9ne. I was born in Spijkenisse in the Netherlands and I am a graffiti artist.”
Linsey: When did you first discover your passion for the art of graffiti and when did you decide to become an artist in this art form?
Tag N9ne: “Well, I first started drawing cartoons with permanent markers on light poles and electricity boxes in Rotterdam around 1983. And then in 1985 I saw Style Wars which is a famous graffiti documentary and from that moment on I was sold instantly. Two weeks later I stole some spray paint and started creating my own pieces.”
Linsey: What is graffiti to you?
Tag N9ne: “To me graffiti is action art. It is full of creativity and the aspect of creating your content outside and discovering these interesting and sometimes odd places makes it extra special. Even when I paint illegal I like to paint something as nice as possible in the given time frame.”
Linsey: What do you define as art?
Tag N9ne: “To me art is anything that is creative and created properly. And of course, art has to be original.”
Linsey: How do you describe your style?
Tag N9ne: “Throughout my career as an artist, my style has changed over the years. My style back then was mainly influenced by my interests on that particular moment. Currently, my style is a combination of graffiti with street art, art, tattoo, tribal and pre-columbian art, graphic design and cartoon drawing.”
Linsey: What kind of surfaces do you prefer for your paintings?
Tag N9ne: “In the beginning I started piecing on walls like the schoolyard wall, because we used to hung out on such places every day. At that time I was too young to go to subway or train yards. On top of that no one was painting on subway- and regular trains at the time here in the Netherlands. Right now I like to paint anything, subway and regular trains, trucks, track walls, legals and canvas. As long as the paint sticks to the surface, it is fine with me. I like to paint subway and regular trains once in a while for the rush and the action. It is pure fun and it gives me the best high. Trucks and track sides I also like to paint, because the pieces last for a while and a lot of people will see them. Legals and canvas are nice to work with, because you can create more sophisticated stuff on them and try out new techniques.”
Linsey: You have been active in graffiti painting since 1985. What do you think about the evolution of graffiti up until now?
Tag N9ne: “Like everything it has two sides, a good and a bad side. The good side is that there is a lot of diversity in graffiti paintings today and there a lots of good paint brands and graffiti artists all over the world. The bad side is that the scene is divided into different sections of writers, legal writers, illegal writers, street artists and people who only bomb throw ups. In some cases these different artists disrespect each other which is too bad. In the beginning the scene was united, we were all writers.”
Linsey: Have you ever collaborated with other graffiti painters on a piece and how did you experience this?
Tag N9ne: “Yes, I have. Sometimes I paint with other street artists under a different name which is fun to do. By bringing together different people on one piece, can make that piece more dynamic, because you complement each other. I like to see a nice collaboration done with artists on the same level.”
Linsey: One of the Urban IMG goals is to is improve the overall image of graffiti and to strive for the acceptation of graffiti as a decorative element in city planning. What do you think about refining a city’s image by decorating its streets with graffiti paintings?
Tag N9ne: “It might help to make the city’s streets more attractive. Maybe that by decorating buildings and such the city will become known for its creativity and that could lead to attracting more creative people which can be beneficial for the city as a whole. New initiatives for example, and collaborations between different artists could bring forward some amazing pieces of art, the public can enjoy.”
Linsey: What do you think about street art in Rotterdam and the legal graffiti paintings in particular?
Tag N9ne: “I think that some of the street art in Rotterdam is very vibrant, because there are a lot of different influences and styles apparent in these pieces. I do not like all of the street art that Rotterdam possesses, but that is just a matter of taste. About the graffiti paintings, there are some very nice ones in Rotterdam. The legal painting near Hofplein from a Brazilian painter is my favorite. Like I said earlier, on legals artists have the opportunity to create more sophisticated pieces and this piece definitely embodies that”.
Linsey: How do you think we can stimulate the graffiti scene in Rotterdam?
Tag N9ne: “That is difficult to say, especially since now the scene is really fragmented. But, I do believe that creating more legal spots will also improve the level of graffiti paintings and thus take the art to a higher level.”
Linsey: How would you like to see the art of graffiti in the future?
Tag N9ne: “I would very much like to see more unity in the scene. It would be so much better for the sake of art if all of these artists would respect each other.”